Symbiotic Drift | International Exhibition on Dark Ecology

Exhibition | Works

Symbiotic Drift exhibition across imagined architecture of Street, Entrance, Depth, Exit.

Works unfold gradually from September to December 2025, following the rhythm of the exhibition’s Instagram publication.

Zone A – Street

This zone gathers works around disappearance, monumental presence, and the street as ecosystem.

Aissulu Kadyrzhanova

The Sea Wave

2025, rubber, metal needles, acrylic on wood, 11 × 18 × 3 in (28 × 46 × 7,6 cm)

Monologue to the Aral Sea

2025, video, 48 sec

Watch video excerpt on YouTube

Sasha Zhitneva

Myth Me Not (from the A PETting Bestiary series)

2025, reclaimed plastic containers, 5.5 × 4 × 3 ft (168 × 122 × 91 cm)

Presented here as a visualization in the outdoor architecture envisioned for Symbiotic Drift.

Inga Allakova

Shawl from Shawl series

2025, human hair, variable dimensions

Wadim Sei

Liminal Fields

Entropy Bloom

Drifted Horizon

2025, acrylic on linen, various dimensions

AlessandraBB

Where Are You

2025, performance and video installation, video 2.5 min, full HD

Watch video excerpt on YouTube

Zone B — Entrance

This zone introduces works that engage the body as threshold. Materials such as hair, fabric, and concrete frame entry as both intimate and architectural, where what is fragile becomes structural.

Dasha Gauser

Morphologies of the Third Place

Morphologies Of The Third Place project, 2025

from Morphologies Of The Third Place project, 2025

2025, high-fired ceramic, variable dimensions

Theodora Eliezer

Soft Decay

Soft Decay, 2019

2019, vintage soft toys, Pleurotus ostreatus, Pleurotus citrinopileatus, and Pleurotus djamor mushrooms, variable dimensions

Katya Bessonova

Interspecies

2025, hair, glue, fabric, epoxy , 10 * 12 in (25 x 30 cm)

Zone C — Depth

This zone moves into hybrid terrains. Works here unfold as uncanny organisms, digital meshes, and dark ecologies. They explore persistence and mutation, where residues, microbes, and voices construct immersive environments.

Alice Potts

Breaking Pointe “PERSPIRE”

2018, sweat ballet shoes, 12 × 8 × 2 in (30 × 20 × 5 cm)

Photo credit: James Stopforth, dancer Cira Robinson

Aksana Prutskova

Networks

2025, digital painting diptych

Camila Sposati

Phonosophia

2018, video

Ekaterina Guskova

Made in Plastic

2025, series of photographs, 12 × 17 in (30 × 42 cm)

Ekaterina Tiuhta

Symbiotic Crucifix

2025, digital print on banner fabric, 8 × 5.5 m

Anton Khamchishkin & Yana Osman

Dark Ecology of My Father

2025, photography series, 39 x 51 in (100 × 130 cm) each

Elena Le Taon Binder

Mother's Worker Bee

2025, video (15 sec)

Watch video excerpt on YouTube

Richard Prigg

Mirror Eyenet With White Center

2025, lead, mirrored glass, concrete, 19 × 19 × 3.5 in

Ekaterina Trusova

Portrait of a Plush Dog

2025, watercolor on paper, 12 × 16 in (30 × 40 cm)

Varvara Silanteva

The Language of Flowers

2025, video, full HD, 2 min 53 sec

Watch full video on YouTube

Julia Marinchenko

Uninvited

2025, silicone, sculptural plasticine, 3.9 × 5.5 × 6.7 in (10 × 14 × 17 cm)

Iurii Chernyshev

Metro Microbiome

2025, full HD, video excerpt 30 sec

Watch video excerpt on YouTube

Roman Savchenko

Invisible Dimension 6 (M-String Theory)

2025, acrylic on canvas, 60 x 80 inches

Daria Serkova

String Hunting

2025, full HD, video excerpt 30 sec

Watch video excerpt on YouTube

Verenika Perla

Ways of Being Alive

2025, oil, oil pastel, charcoal, wax on canvas, 40 × 60 in (100 × 150 cm)

Anna Sinitsyna

Landscape without Us

2025, Mixed media on coated glossy paper, 16 × 24 in (40 × 60 cm)

Zone D — Exit

This final zone turns toward works that operate at the edge of perception: fragments, echoes, and structures that hint at renewal within states of loss. Forms shift between the mythic and the material, suggesting continuities that emerge only when familiar frameworks fall away.

Olga Nekrasova

Shared Memory